#that's my analysis tag now lmao
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WHAT THE HELL IS LAB SAFETY!!
#my art#danny phantom#dp#danny fenton#danny phantom fanart#heheheh i have more time to do art now!!#reason: i went to therapy for work#tho im also writing my thesis so like dont set this as your standard for me lmao#anyways!! who wants to listen to my insane danny phantom analysis and hcs!!#eye strain#ask to tag!
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Happy Anniversary In Stars and Time!! Have some Friend Quest based drawings :D
(These have specific quote picks related to them! And there's also a long ramble on why I like those specific quotes below if interested)
(And by long, I mean roughly 2k+ words of proper ramble total, so be warned before clicking keep reading this link right here to the rb!!)
#in stars and time#isat#isat spoilers#<- edited now this is just act 3 spoilers for the art LMAO#isat mirabelle#isat isabeau#isat odile#isat bonnie#isat siffrin#<- i promise this is the last time in a long long time i tag someone who only shows up with their back turned#but in my defense they also are here four times so i think the tag is justified SADASFA#time for a messier secondary post underneath the first WAHOOOO#to start!! random art tidbits!! no one is looking at siffrin in these!!#mira and isa are looking away while odile and bonnie have their eyes closed#in my minds eye these are the A4 versions of the FQ so siffrin internally is Not Having A Good Time#i just thought itd be fun to incorporate somehow as an extra easter egg detail kinda!#also i tried to make the bgs mildly accurate to location in game and its the reason why isa got to have one (1) singular tree in the bg#laaast art tidbit is that i took a bit of a creative liberty with bonnies#well i did with all of them but still#since its not explicitly stated sif god up immediately after tripping they get to stay on the floor in the drawing#i just thought itd be fun for the drawing!!#moving onto general tidbits in addition to the time fun fact i also decided the posting time#specifically so itd be in the middle of me having back to back to back meetings so can't second guess myself in posting this HAHA#every time i post any form of text based ramble on characters or even headcanons i Fear#and YEAH i am probably just being overly nitpicky towards myself on analysis that can prob be read several diff ways cuz interpretation#but i really really really dont want to fumble so badly to the point of mischaracterizing anyone since i like them a lot!!#still working on getting over that but hey at least i am trying and thats all i can ask of myself i think!#okay now time to Lie Down im writing these tags after stream#tag talk over into q u go :]#partial pin
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comparing dialogue once again as you do. anyway. this cut dialogue from the other games ending vs the the 2011/ultra deluxe final game dialogue is interesting. frying my mind a bit.
no deeper meaning to this post i just think it is. intriguing. i love dialogue comparisons sorry </3
#the stanley parable#in the 2013/hd remix he just says nothing when you go in the hole#and tbh i kinda wish they would have kept the cut dialogue. but i also do prefer the 2011/ultra deluxe dialogue better.#but this cut dialogue in the 2013 other games ending would have been a rlly cool display of the narrator's inner conflict#especially with how harsh he is in these endings specifically#but i do realize i am. reaching a bit with that conclusion. so i am halting those thoughts for now lmao.#sorry this is just one of my fav bits of dialogue i think. or one i fixate on a lot#i literally wrote up a whole fic idea for it. maybe one day ill return to it.#I do think I prefer the dialogue we ended up with just because it still carries that confliction he has#like he’s startled then backpeddals on how he was acting before returning to that ‘you can’t do this without me’ spiel again#LIKE I DONT KNOW HOW MUCH SENSE I AM MAKING BUT LIKE. ITS JUST GOOD DIALOGUE IS WHAT IM SAYING.#but both. both are good. I do like what we got and I do enjoy what could have been. both are so so intriguing to me#crow thoughts#tsp analysis tag
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shipping goggles firmly applied to face descendants rewatch
#im going to bed so i will not do All Of It now but. i will do All Of It when i finish the movie#toast watches#toast watches descendants#descendants#film#analysis#<- those tags are purely for organization lmao this thread is literally just me expressing my shipping preferences in this franchise#i just want all that in one place. for my own sake.
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idk how controversial this is but I’m actually such a big fan of s3a. it’s the exact kind of phantasmagorical bullshit that makes me kick my feet and grin like a fool. the whole show goes haywire and completely abandons the generic structure of the police procedural, and it totally gets away with it because at this point the narrative has unravelled so much that the show can safely let go of whatever conformity it was barely hanging onto in s2b. and on a metafictional level the shift in external genre strangely parallels the progression of the two main characters: just as will and hannibal have changed each other, the show too has revealed its true nature
#this is even further emphasised by s3a exploring hannibal’s backstory#like he’s been ripped open and the show has too#and now will’s peering in and trying to find the core of hannibal#so he can understand him#and in doing so finds the heart of the show#in all its gothic glory#but by the end will still doesn’t accept himself#and when he rejects hannibal and attempts to return to normalcy the show also returns to its old police procedural structure#except now it’s fragmented and unlike itself#much like will’s s3b persona#because he simply cannot return to how he was in s1#it doesn’t matter if he marries molly or tries to make a nuclear family for himself it’ll never be as it was#and he ultimately can’t deny himself#which is literally reflected in the show’s style because it’s so unlike s1#even if it tries to return to its original genre tropes and conventions#it ultimately reverts back to the gothic wonderland of s3a (the dragon fight + fall)#I didn’t mean to continue the analysis in the tags LMAO but I guess that’s how it is#I was too sleepy to articulate my thoughts two hours ago but now it’s 1:30am and I am so Awake#nbc hannibal#hannibal#hannibal meta#will graham#hannigram#ghost speaks
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What the hell happened with Crow: an autopsy (Part 2)
Hope you didn't think I'd forgotten about this post yet. Lads, ladies, and other lovely people, here we go. I have more yelling about bird boy to do.
But first, a few disclaimers. For people who may have missed part one, yes, as the title implies, this post is part two of an attempt to analyse Crow's character throughout 5Ds' whole run. You can find part one here. Now, both for people who may not have the time/energy to read my first, huge post about this right now, let me explain what I'm about here before we start again: My analysis is not meant to deter people who like Crow from liking him. It's also not meant to convince Crow haters otherwise, even if I admittedly personally like Crow. All of this stuff is just my personal attempt at dissecting how his character was handled in the show and why that might have been. And because this is part two, and I covered the Fortune Cup and Dark Signers arc in the first post, I'll start with the pre-WRGP arc, then dig into the backstory Crow was given directly before the WRGP begins properly. Also, mind the length of this post. I'm physically incapable of writing short things.
I also feel the need to reiterate another thing before I really get into the meat of things again: If you were hoping to see any old rumours about 5Ds confirmed, this is the wrong post. In fact, thanks to the very thorough work of someone over on Reddit (another shoutout to @mbg159 here, who's the author of those posts), I know for a fact that literally all the big rumours surrounding Crow are one big pile of logistically impossible horseshit, and I think after so, so many years of people citing this nonsense, the fandom as a whole finally deserves to let these go:
No, Crow was not meant to be a dark signer, least of all the final boss of season one, and Blackwings were not the reason he got more screentime later.
No, Aki being sidelined was not the result of her irl voice actress' pregnancy.
Yes, I know these two posts are both a long read each, but I cannot begin to tell you how tired I am of these rumours. So even if you don't have time to read the stuff above, please take away this: The big 5Ds production conspiracy theories are. all. bullshit. Because, to put it in as simple terms as possible, none of them work out logistically. The events people have pretended affected the show's production in a major way all don't line up with the actual production timeline. So just can the rumours already. Please let them die. And no pitting Aki and Crow against each other on his post or because of this post, yes? I beg you, I am so tired. Ok? Ok.
All right, now we can get to the good part. In my previous post, I left off at the end of the DS arc. So, in what position is Crow at the end of the DS arc? He helped save the world by defeating Goodwin and got his very own signer mark after Rudger/Roman Goodwin's death.
And now, where is Crow at the start of the pre-WRGP arc?
(Bam. Delivery bird boy be upon ye.)
This time, Crow wastes absolutely no time coming back on screen. We see him again within the first episode of the second half of the show, and wouldn't you know it! He moved in with Yusei and Jack and the three of them have a funny, brotherly, bickering dynamic between them. Also, as a fun little add-on that is very much in line with his deeply Satellite, down to earth characterisation from the first half, Crow now works as a delivery driver to earn money for the household. That's all very nice and good.
But what is his role in the plot from here on out? Well.
First, a small note about the pre-WRGP arc. Though this arc is fun to watch because it gives us a lot of silly character interactions the show no longer found the time for once the WRGP started, the pre-WRGP arc really can't be said to bother with actual plot much. It's the known filler arc of 5Ds, and as such, Crow is not the only character who gets pretty much nothing plot-related to do during this arc. Thus, I'll only give a quick run-down of what he does get up to, just in case any of these tidbits end up showcasing a relevant aspect of Crow's character I might come back to later.
Furthermore, another thing that's pretty much obvious to everyone who's ever watched the show in its entirety but still bears mentioning: Crow gets a lot more screentime from this point on out. Technically. Why do I say "technically"? I'll get back to that further below. For now, just keep it in mind.
So, how does Bird Boy spend his time during the arc where the plot's on the back burner? To be honest, on the sidelines, mostly. Don't get me wrong, Crow's there. Most of the time. But he gets pretty much only two episodes where he's the focus, and both of those aren't exactly known for being 5Ds' most memorable episodes (even though I still like them both tbh, but I digress): For one, in episode 68, he gets to convince Bashford to move in with Martha so the depressed old man isn't spending his entire retirement living in a scrapyard.
(This episode's comedic moments are actually fairly solid. But those are just my two cents.)
And for two, in episode 85, Crow gets to bond with the boys' somewhat cranky landlady, Zora, by duelling some sense into her son, Lyndon. (Which also introduces us to a duelling tactic only Crow uses that we will later see again: Losing on purpose.)
(And here we can see Crow showing off his skills at dealing with petulant children.)
Now, do these two episodes where he gets to be relevant actually do anything for Crow? As a character? Debatable. If nothing else, they strongly reaffirm the values Crow represents which we were introduced to in the first half of the show, though. They reintroduce us to his stubbornness, to his (in comparison to Jack and Yusei) more playful nature, to his very Yusei-ish dedication to doing the right thing, to his penchant for spite, and to his strong sense of family and community and his belief that these two things shouldn't be abandoned unless you have a damned good reason for it.
You may notice that there's a sizeable gap between these two episodes. That's because those episodes are where we get the only smidgens of plot in this arc. Among them, highlights like Sherry's introduction, the first reveal of accel synchro, Aki's turbo duelling license exam, three separate story beats hinting at the machinations of the emperors of Iliaster (Luciano's little stunt with Rua and Ruka, Placido getting started on building a killer robot army, and the Jack double being unleashed onto NDC), and Bruno's introduction. So, here's the thing: Crow is technically present during most of those episodes, too, but he doesn't actually get to meaningfully interact with the plot-relevant elements. (Which is not to say he doesn't have nice moments here and there. He does get to bounce off the other characters, and, just as one example, helps Yusei and Jack upgrade Aki's duel runner, as well as help Yusei build Rua's duel board. Crucially, he doesn't get to do anything that later becomes plot-relevant, though.) Moreover, not one, but two characters who end up becoming major players in the series' finale are introduced here, which is relevant insofar as that Bruno and Sherry both end up needing a good amount of development before they can impactfully take their later roles. Now, I say this with nothing but genuine appreciation for both these characters, because I do like them, but I feel the need to point out what this means not just for Crow, but for pretty much everyone who isn't Jack or Yusei: Every minute of screentime that was dedicated to Bruno and/or Sherry was one minute less the writers could spend on the rest of the cast. This is not to say that time shouldn't have been spent on them, they needed it, especially because they were introduced so late, but it's something I do want people to keep in mind when talking about who got how much screentime and whether or not that time was well spent. (I also have a larger gripe with the definition of "screentime" in general, but more on that later.)
So when does Crow get to be relevant to the plot again, now that he's even a signer and all? Well, not until episode 94, when the WRGP arc has already started. (Note that I'm using the 5Ds episode list on wikipedia as a general guide for which arc and which season starts where. You can find it here.)
*Deep breath*
So. Episode 94.
(Pictured: One very scruffy dragon. Bird? Dragon-bird. Bird-dragon. You figure this shit out.)
That episode. The episode where Crow, who was awarded with the status of a signer during the finale of the DS arc, finally gets a dragon to match his mark. And the episode where we finally, finally, get some actual backstory for Crow that goes beyond his involvement with the Enforcers and childhood with Jack and Yusei. A backstory that's only Crow's own. Except. How do I put this politely...
This shit doesn't make a lick of sense. Neither the events in the duel between Crow and Bolger in the present resulting in Black-Winged Dragon's appearance, nor the Pearson backstory.
Now, I'm not saying this to step on anyone's toes. From a writing standpoint, I can even make a fairly reasonable guess as to why this episode/mini-arc is here, I think: As I mentioned in part one of this analysis, Crow was not only introduced very late, but also got very little backstory of his own, which set him apart from the other signers. Don't get me wrong, he did get some backstory—we know of his strong connection to Duel Monsters because he learned to read from cards, and we know of his involvement with the Enforcers/Team Satisfaction. Crucially, though, Crow doesn't really get a backstory segment that feels as unique to him as the others. Aki gets her tragic past with her parents and her powers, Jack gets his betrayal of Yusei, which also doubles as part of Yusei's backstory, who as the protagonist understandably gets the most backstory, and even the twins, though they are as always treated as one unit, get their very own segment about the time when Ruka was essentially in a coma. Meanwhile, Crow only has that one-off tear-jerker moment about learning to read from his cards and his being a part of the boys' duel gang, which, and I cannot stress this enough, is treated as more of a Yusei and Kalin/Kiryu backstory by canon than a Crow backstory. Thus, it makes perfect sense from a writing standpoint that the Pearson/Black-Winged Dragon mini-arc would be here. Crow, up until this point, has neither a backstory segment dedicated solely to him, nor a signer dragon to call his own. So, how do we solve this? Give him both in a strategic double-whammy! The math checks out. Unfortunately, the writing of said mini-arc... doesn't.
Now, look. The juicy question of whether Crow would have worked better as a non-signer or not, which I already discussed in part one aside, I personally don't hate what this backstory is trying to do. It's just that the whole Pearson-drama has some very notable, logical holes which I'll get into below. Furthermore, this is not the first time something related to Crow has some unfortunate, logical and/or chronological issues. I already brought up the infamous fridge and Rex Goodwin's rather confusing backstory in part one, both of which raise some serious questions. However, Pearson and everything surrounding him arguably blow that clean out of the water. Let's examine this more closely, shall we.
The long-overdue backstory we get for Crow begins with a mystery: Mikage and Trudge, for a reason that is never given to us, are investigating the death of Robert Pearson (whose death would have been several years ago at this point), whom Crow knew very well, and they're doing it because they found a hint that the person who killed Pearson used an illegal card, Crimson Mefist, to do it.
(Post redemption-arc Trudge actually doing his job instead of bullying random Satellite citizens. Who would have thunk.)
Thing is, here, we already encounter our first, minor problem: Pearson has never been mentioned up until this point, not even as an aside. And this issue is compounded by the fact that not only Crow seems to know him, but Trudge claims to as well, because "Satellite used to be his jurisdiction". So, a named character who's familiar to both one of our protagonists and a notable side character, and we've never seen hide nor hair of him. If we pull our heads out of the story for a second, the irl reason for how this came to be is probably pretty obvious: Pearson was never mentioned before because the writers had nowhere near as solid of a plan for Crow as they did for the other characters, which leads to him being introduced out of nowhere here because we need a backstory and a dragon for Crow and we need those now. Moving on.
The mention of Pearson having been not simply killed in a fire, like Crow previously assumed, but having been murdered through a special, illegal card immediately makes him suspicious. So, he goes to consult Bolger/Bolton, another never-before-seen character who gets introduced in service of this backstory, and who knew Pearson well. And while this guy certainly acts amiable towards Crow at first, implying that the two have a good rapport, at least, he quickly starts acting suspicious when Pearson's murder comes up. Moreover, we as the audience at this point already know Bolger's looking for Black-Winged Dragon so he can use the card essentially as collateral to save his company. And the name "Black-Winged Dragon" already leaves very little to the imagination as to whose deck this monster is supposed to fit into. But, in a small twist, we learn from Crow that this was apparently Pearson's card, and supposedly lost in the fire where said man died, to boot. Then Bolger challenges Crow to a duel, too, offering to tell the truth about Pearson's death if he loses, but demanding Black-Winged Dragon, which he believes Crow to be in possession of, if he wins. So far, so good. We've got a mystery here, and canon is not contradicting itself just yet. Until we get to the actual backstory, which shows us the time Crow spent with Pearson, that is. Before we get into that, I'd like to highlight one theme this mini-arc introduces that actually feels like it fits Crow: Legacy. Over the course of meeting Bolger again and being reminded of his time with Pearson, Crow starts thinking about whether he's taking over his former mentor's/father figure's legacy well enough.
(Crow having some Deep Thoughts TM, featuring one of Yusei's most relaxed, easygoing smiles in the entire show, probably.)
This theme, I would argue, is one of the major things this backstory introduces that really meshes well with the Crow we already had until this point. He's a community-focussed guy and absolutely a family person, if him taking care of Satellite orphans is anything to go by, so leaving behind a good legacy for the people after him (read: the kids he took care of) would absolutely be something he cares about. We see this element of legacy again in his cards during this episode, too, which canon implies he inherited from Pearson. (I'll get to THAT can of worms below.) And on paper, with the themes he's already got going, Crow being the only one to inherit his deck rather than build it all by himself would actually make sense!
However. This is where we have to get into the meat of the backstory. I'll start by listing the barebones information Crow's backstory with Pearson gives us, then going into why several aspects of it are either logistical or chronological nonsense.
So, as canon tells us, Crow met Pearson after Kiryu/Kalin was arrested, when the Enforcers/Team Satisfaction all went their separate ways. During this period, Crow had already set up shop near the original Daedalus Bridge and started out taking care of orphans, but it wasn't all smooth sailing. He was, by his own admission, "living aimlessly". Then, during a pinch, Pearson and Bolger show up, take care of some bad guys for Crow and the kids, and Crow sees a new role model in Pearson. Pearson, who rides the Blackbird, plays a Blackwing deck and owns Black-Winged Dragon. So, he joins up with Pearson, presumably learns how to work on duel runners from him, and also befriends Bolger. Then, one day, a fire breaks out at Pearson's workshop and the man in question dies, but leaves Crow his runner and his duel disk before he does so. End flashback. Because I want to tie this together nicely, we also learn later that Pearson technically left him Black-Winged Dragon, too, by sealing it in his runner. And, of course, that dragon later becomes Crow's very own signer dragon.
Several points to be dissected here. And funnily enough, Bolger's duel with Crow isn't relevant for any of them. Let's start with the big one: The timeline. I want you to remember that as far as canon is concerned, Crow is 17 during the DS arc. Moreover, it's canonically stated that Jack stole Yusei's first duel runner two years before the show's start, at which time Crow would have been 15. And their time together as the Enforcers must have been even before that, because Kiryu/Kalin was already in prison for a while at that point and Crow and Yusei don't reunite until the DS arc is basically in full swing. So, I'll make a vague estimate here and say that during the time of the Enforcers, Crow would have probably been 13-14. (Which is hilarious when you think about the fact that this gang of angry teenagers essentially took over the entire duelling underground of Satellite, but I digress.) Now we add the idea that Crow met Pearson after the Enforcers, but that he died before canon starts into the mix. That means Crow first ran into Pearson sometime around age 15, and that he then died presumably before Crow turned 17. So far, so good, that still slots into canon, even if it makes Crow pretty damn young for some things. He's even missing the personalised Blackbird duel disk he later wears during the Enforcer days, I went back to check. What he is not missing, however, are his Blackwings. And this is where canon may or may not have made an implication that, if intentional, breaks this timeline. See, during the scene where Pearson's workshop is burning down and he's already trapped under debris and has embraced death, he tosses Crow his duel disk and leaves him his runner.
(Two important screenshots, in sequence. One, Pearson with his duel disk still strapped to his arm. His deck is very obviously still in there. Two, Crow with that same duel disk, as made obvious by its distinct shape.)
What this implies is that Pearson also left Crow his deck. Which, yeah, fair enough, if I were dying in a fire I'd probably also think "fuck it, not like I'll need my cards in the afterlife". What this (and Crow's look the first time he sees Pearson's monsters) implies, though, is that Crow didn't start playing Blackwings until Pearson left him his deck. Which is factually untrue, because there is literal evidence in the show that Crow already had Blackwings during his time as part of the duel gang, before ever meeting Pearson. (The exact episode, if you want to check for yourself, is 33, where Crow summons both Bora the Spear and Blackwing Armor Master during a flashback.) However, I will concede that the show never actually states this is the case, it's just implied by what we see on screen, so perhaps the idea here was that Crow already played Blackwings before Pearson, but grew to love them even more through his mentor/father figure, and so later happily integrated the deck he inherited into his own. Crucially, canon never states this outright, either, though, so the option remains on the table. But, to give the benefit of the doubt here, the possibility that this could still slot in with canon and that it was just handled poorly is there. The same cannot be said for the Blackbird, however.
(Uh oh. So much for canon continuity.)
The above two screenshots directly contradict each other. First we have Yusei, upon reuniting with Crow in Satellite during the DS arc, casually remarking that Crow finished his duel runner. Which means that canon at this point suggests to the audience that one, Crow built this duel runner by himself, for himself, and two, that Yusei knew about it for a while already. Then there's the second screenshot, from the Pearson backstory episode, where Crow outright claims the Blackbird was left to him when Pearson died. I don't think I need to tell anyone that these two things can't be true at the same time. And again, I think this is where Crow fell victim to the writers not having a clear outline for him. At first, he was supposed to be this scrappy guy who also built a duel runner for himself, just like Yusei. But now, he's a signer, needs a backstory and a dragon, and because a theme of legacy is introduced alongside Pearson, the runner suddenly needs to be inherited, as well as (possibly) Crow's cards. Now, a crafty fanfic writer could probably reconcile the above contradiction somehow, and I know some stories that accomplished that. But the point isn't that we, as the audience/fandom could make this work, the point is that canon didn't make it work. What canon, sadly, also didn't get to work was Black-Winged Dragon.
(We meet again, bird-dragon.)
Here comes the next elephant in the room: Everyone and their mother who has watched 5Ds knows that Black-Winged Dragon was never implied to be a signer dragon up until the duel where Crow acquires it. In fact, an entirely different dragon is teased so heavily long before BWD ever shows up that it to this day is one of many people's major gripes with the show's writing.
(Why, hello, Life Stream Dragon! Fancy seeing you here.)
And yet, Black-Winged Dragon is turned into a signer dragon before Life Stream Dragon, who was teased more than sixty (!!!) episodes before BWD was ever even mentioned. Why? Simple: Because Crow became a signer and Rua/Leo didn't, because the signers all need dragons (or else the "5Ds" part kind of doesn't work), and because Life Stream Dragon thematically doesn't fit Crow.
Now, I've seen people post theories to reconcile this weird hitch in canon, hell, I've even posted an idea for how it could be reconciled myself. But, again, that isn't the point here. The point is that as far as good old, barebones canon is concerned, it isn't reconciled. Canon at first states there are five signers, suggesting that there are also five dragons. But then, the fifth dragon never shows up, and one of the signers dies, to boot. Only for canon to then teach us, oh, no, look, the signer marks can wander from one person to the next. And to add insult to injury (at least where the show's writing and internal consistency is concerned), the signer mark that was "freed up" by Roman/Rudger's death doesn't wander to Rua/Leo, who any attentive watcher would have expected to become a signer because it was heavily teased during the DS arc, but to Crow. Frankly, I'm not surprised many people were angry about this, but in case my disclaimer didn't make it clear, I don't think it's productive to pin this on Crow by claiming his cards became super popular irl. There was definitely an out-of-left-field writing choice made here, but the only answers as to "why" were left in the 5Ds' writer's room, I believe. At a guess, if you want me to throw out a non-sugarcoated theory as to why, though? They probably thought Crow would be a more interesting character for their target audience. He's a scrappy guy who sticks it to authority, he's brave, he's funny, he plays a cool deck, and most of all, unlike Rua, he never embarrasses himself in a duel on screen. Why am I highlighting that last part? Because I feel like people sometimes forget that the target audience for this show, at the time of its creation, were about twelve year-old boys. And you can feel free to contradict me on this, but most twelve year-old boys I've known and know don't want to project themselves onto a chracter who loses and gets his butt kicked a lot, and who's a bit awkward and steps in it sometimes, which is much closer to how actual twelve year-olds are—but that's exactly why they prefer the cooler characters. And Crow is the cooler character, by average twelve year-old boy logic, regardless of what the grownups of this fandom think.
So Crow gets a dragon and the writing doesn't bother explaining the how or why of it, let alone tackles any of the implications made by Black-Winged Dragon's existence as a signer dragon. (Like what does this mean for the larger worldbuilding? Does the Crimson Dragon actually have more than five servants, but chooses to only ever bestow five marks at a time? Can any "dragon" the Crimson Dragon chooses be a signer dragon, and it just so happens that the constellation of signer dragons is nearly the same as the original one in present-time 5Ds canon? Did the Crimson Dragon specifically elevate BWD to a signer dragon because it felt like it? Was BWD always supposed to be a signer dragon? Was Pearson supposed to be a signer, but died too early before the dark signer prophecy was set into motion? Am I overthinking this? (Yes.)) He also obtains his dragon in what feels like the weirdest way possible to me, because it suddenly??? Just decides to appear in his runner????? Out of nowhere??????
(Why is that here. How did it get there. Why did Pearson even put it in there. And HOW. Is it just wedged between the machinery or what???? And how on earth did Yusei, Bruno, and/or Crow never find it before this point considering how often someone tinkered on the Blackbird on screen???)
(This scenario, of course, also raises the question how the other signers even got their dragons. But like many other, interesting questions, this episode chooses not to interact with that one whatsoever.)
In short, this backstory is a bit of a mess, to say the least. For as much good as it tries to do by contextualising Crow's character and giving him something that sets him apart from the rest of the protag group, it feels like a rough draft of an episode was given the green light to be produced without any editing, judging by the contradictions and weird implications. As such, it harms Crow's character as much as it builds it, as evidenced by how much fandom backlash he still receives years later for the things that were bungled in this backstory and also in different aspects of his character writing.
Now, you may notice this post has gotten stupidly long due to just how convoluted the specific hangups of Crow's backstory are. I originally meant to cover the WRGP and even the Ark Cradle arc for Crow in this post, too, but due to how much there was to say about canon's attempt to finally make Crow a "proper" signer, I've decided that trying to force another two whole arcs in here would be a disservice to the analysis and the character, and also make this agonisingly long, so I'll close this part out here and write a part three, perhaps even a part four depending on how much material the WRGP gives me to work with.
There's one more thing I need to get back to before I finish up this part, though: The "screentime" discussion. I mentioned far above that I take issue with how some people seem to be using the word screentime, and now I can explain why. First, I want you to take a look back at the episodes I covered here, those being 65-95, essentially. Now, as anyone who usually dislikes Crow will tell you, Crow is present in most, if not all of these episodes. He's on screen. He's getting screentime, and, according to many people, hogging it, even. Okay. Now, I want you to look back up at the analysis. How many episodes did I cover where Crow actually gets something to do? As in, where he's either the focus of the plot or gets to contribute to it in a significant way? There's the old man Bashford episode. There's the Poppo Time clock episode. There's his two backstory episodes. That's four. Four episodes. If you're generous, you might add in the episode where he gets to narrate Yusei's backstory alongside Jack and the two fake Jack episodes where he gets to have an emotional moment or two with his foster-brother. If you're less generous, you'll note that none of these episodes have Crow actually interacting with the main antagonists in a meaningful way or set up anything important that pays off later. (Hell, he doesn't even get any, and I really mean, any meaningful setup interactions with Sherry, who ends up being his final-boss-level opponent during the final episodes! Aki gets more meaningful interactions with Sherry than him, not that this ever gets a payoff.) And this is why I take an issue with people claiming Crow gets so much "screentime" post DS arc. Because to me, "screentime" should be time spent letting a character act meaningfully within the story, which most of the pre-WRGP episodes aren't for Crow. He's on screen, yes, but in many episodes, it wouldn't matter one whit whether you replaced him with a nameless side character, which isn't exactly a great look for a supposed third of a protagonist trifecta. Perhaps I'm being too strict with my definition of "screentime" here, fair enough! But the claim that Crow hogs screentime already rubs the wrong way during this comparably unimportant arc, so I can't leave it alone. It feels very decidedly malicious to claim a character who during some episodes seems to only be there to provide exposition or make whatever jokes Yusei and Jack's personalities aren't suited to is stealing screentime from other characters. As for the WRGP duels and whether he's "hogging" anyone's screentime there, I'll dig into that nonsense in the next part, please be patient with me.
...Phew. Okay.
Now, before I leave you to wonder whether I'm every finishing my Crow analysis in full again, I want to attempt to do the same thing I did in part one—propose some changes that could have been made to the writing for Crow's character in order to make things slot in better with the rest of canon. With a small disclaimer, of course: These are just my suggestions as to how Crow's character could have fit into canon more smoothly and been done less of a disservice by his own backstory.
So. First, a quick-fire thing about the pre-WRGP, to get that out of the way: Crow, alongside Aki, is the only signer who didn't get his own confrontation with either Iliaster or their minions. (Yusei had Ghost, Jack had fake Jack, Rua and Ruka had Luciano.) Instead of having him confront a cranky old man in a scrapyard or Zora's son, they could have easily given him a very short side-story where he gets to experience the threat of Iliaster up close and personal, too. Hell, they could have very nicely cut the recap episode where Crow and Jack lie in the mess of Jack's terribly built coffee table and philosophise about Yusei's backstory for this, too. (As funny as their interaction about the coffee table and Jack lying on the floor with a perfectly intact coffee cup are.)
(Pictured: Two idiots (affectionate) contemplating life among the scraps of a shitty, broken coffee table.)
Then, there's the Pearson backstory, of course. So, here's the thing, I think two very different kinds of "fixes" could have worked here. Crucially, they both depend on Crow's status as a signer. I argued in part one that Crow might have worked better as a character if he hadn't actually become a signer, so I'll give both versions here. Let's go.
Option A: We try not to touch canon too much and Crow stays a signer.
How to do this? Frankly, I think what Crow's mark and Black-Winged Dragon were majorly missing was setup. The mark is the smaller offence here, since, fair enough, the idea that signer marks can wander from person to person isn't too out there for 5Ds canon. However, the lack of a dragon despite the alleged 5Ds stands out, and Life Stream Dragon's wasted setup only makes it worse. Thus, making Black-Winged Dragon make sense would have required giving him the same amount of foreshadowing as Life Stream Dragon, at the very least. And you know who could have been great for that? Sweet, ever-forgotten-by-canon Ruka. She was already shown having flashback dreams to the signer dragons' first battle against the dark signers, so who's to say she couldn't have gotten dreams about a shadowy, new dragon she's never seen before? Perhaps even dreams where she's not sure if the dragon is good or bad at first! It could have provided intrigue, it could have made the audience curious. To strengthen that, canon could have also bothered taking the question "hey why are there only four dragons now" seriously. No character in canon ever questions why there are five marks, but only four dragons. Even Rua, who was previously hopeful that he might secretly be a signer, never brings it up. If canon had bothered to actually point this mystery out, they could have used it not only to foreshadow Black-Winged Dragon, but to aid Life Stream Dragon's setup, too. What the fuck am I talking about, I hear you ask. Hear me out: Life Stream Dragon is shown way, way later down the line, long after the audience probably already accepted that it was simply never going to show up, literally bursting out of Power Tool Dragon's armour. We are not provided with an explanation as to why. Imagine if they had sprinkled in another dream Ruka could have had about the ancient past here. Imagine if they had used the opportunity to show something like, oh, during the battle, Life Stream Dragon got injured so badly they had to protect its wounded body with a suit of armour, in the hopes that it would heal. And with one original signer dragon out of commission, the Crimson Dragon sadly had to choose a replacement in between, because the Earthbound Immortals were sure to return. Bam. Black-Winged Dragon. Two signer dragons, set up simultaneously, without forcing the canon lore to do somersaults. Furthermore, to actually explain why Pearson had the dragon but wasn't a signer, they could have easily sprinkled in a flashback between him and Crow. Maybe Pearson could have mentioned how the dragon always feels like it's never really his, as a joking aside. It would have been enough for me to suspend my disbelief, you know? And then the rest of canon could have played out exactly as we know it. Crow could have confronted Bolger, could have obtained Black-Winged Dragon because maybe the dragon finally decided he was worth throwing its weight behind. The mystery behind the missing fifth dragon could have been solved, and it would have made for satisfying payoff without kneecapping Life Stream Dragon's setup or conjuring an extra dragon out of thin air. And really, stuff like the runner thing could have so easily been solved by simply picking one version (did he build it himself or inherit it?) and sticking with it. All it took was a little more care.
Option B: We assume Crow didn't actually become a signer, but try to keep his backstory intact.
Okay, this version works under the assumption that Crow, despite partaking in the final battle against Goodwin during the DS arc, didn't receive a signer mark. To make this work, I would, bluntly put, simply make it so that Black-Winged Dragon doesn't exist. Pearson can still play a powerful Blackwing monster during his flashback that Bolger wants to find and sell later, but it simply isn't that dragon. Really, Blackwings have enough to choose from there. If the backstory episodes had been placed a little later, say, during the pause in the middle of the WRGP, he could have even received something like Blackwing Full Armor Master here. (Yes, I know that card didn't exist at the time, but my point is that he could have simply received a powerup like Yusei and Jack did, instead of a completely new monster.) With this setup, they could have still added the intrigue of taking the question why there are only four signers now seriously. They could have still set up a mystery about why no one ever saw the fifth dragon outside of dreams. And it could have made Rua becoming a signer later, and in this version getting the tail mark instead of a completely new one, that much more satisfying. And Crow could have kept his "fuck destiny, I'm trying to save the world here"-attitude from the DS arc, providing a nice, amusing counterweight to our heroes chosen by an ancient Incan dragon deity. All it would have taken would have been not giving him a mark and switching out Black-Winged Dragon for something else.
So, take your pick, I guess. In the meantime, I'll try my best to work on part three faster than I did part two, lmao.
See you next time!
#yugioh 5ds#crow hogan#ygo 5ds#5ds#black-winged dragon#yugioh meta#robert pearson#bolton/bolger#orchid rambles#remember when I thought I could finish this analysis in two posts.#fun times.#EHEM anyway#here's the next big one#after december and january finally released me from their cruel clutches#I could finally find the energy to work on this again#now onto part three lol#also if anyone wants to yoink my rewrite suggestions for fics here.#PLEASE do. and tag me if you publish anything lmao#I'd honestly love to write something for Crow myself#but aki has me firmly in her clutches (affectionate) and the rest of my 5ds idea backlog l o o m s.#so yeah
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thinking abtttt sebek and vils dynamicc I love the new years event I adore the new years event Like MENTOR VILLLL YAYYY YAYYYY Adopt sebek But also yeaaa u get these 2 weirdos, who are OBSESSED with perfection, and quite stressed about how others perceive them. Who put EVERYTHING they have into bettering themselves since they were little, and yet always end up second place to the kindest souls imaginable.
I love how sebek respects vil now, he got impressed by vils elegance and is now one step closer to always having a neat appearance, like he wants. And vil realised that sebek is NOT just.. green jack lol. I love how vil just has I CAN FIX HIM about everyone. I dont like your vibe and I WILL do something about it.
I think sebek and vil have similar values about a lot of things, the importance of effort and not giving up, the importance of always looking your best, how you must balance athletics with studies, speaking elegantly (when sebek isnt rude on purpose at least) etc.
(also they both dont care for gender roles, I think thats nice. Vil has his whole main story "did u just gender MOVEMENTS?, ill beat ur ass" thing and Sebek is very masc but he doesnt CARE, hes like, o nice dress ur wearing in that photo epel :), master lilia is THE fae soldier and also the cutest, fight me, my mom is STRONG AND BADASS and thats so cool of her, n stuff.)
#text#n marja is like his wise mentor now lmao#i love vil sm but i an only talk abt sebek sorry#unless im prompted idk#so glad i made this side acc so i can ramble without making my friends want to murder me for talking abt green guy again#sebek analysis#ig#not main tags tho#i need to DRAWWWW the new years guys its so evil its exams season that keeps getting postponed so it never ends#<-guy who draws every day anyways#and made a 52 frame shimeji#orz
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And another thing (this is the last one, I promise, I will stop going on tags and rabbitholing my way into reading discussions i disagree with)
Another thing I don't know where came from is the idea that the rest of the party doesn't interact with their relationship, that it is something isolated and that the others don't comment or interfere with, that it's kept apart from the group, because that is simply not true?
I'm too lazy to look for exact quotes right now, but in episode 65 Ashton was the one, after Laudna's outburst, that insisted for her to go somewhere to reconnect with Imogen, sure Imogen kept saying she would be with Laudna, but Ashton very clearly knew that some time alone with Imogen could make her feel better.
But you also have other things sprinkled out through the campaign like the "are you staring because you are jealous?" From Fearne during the dusk arc, FCG after getting the share dream spell suggesting numerous times to use with them, FCG getting Imogen to kiss Laudna's forehead for the ritual, Orym comparing Imogen's loss to his own six years before, "that dead lady's got a lot of love in her heart", Ashton and FCG helping Laudna on the gift shop, Fearne trying to to help in episode 65 telling Laudna Imogen was thinking about her the whole time.
My point is the party is not alienated from them, they have private moments, sure, but some post I read was talking about how the party doesn't interfere with the "stagnation" of their relationship, which just sounds so weird to me? Where exactly do they need to interfere? Unless one of them was having trouble and was asking for advice (which is something that, ya know, happened) I don't see why they need to interject, unless you want their relationship/dynamic to change, because it is not your cup of tea, so it isn't that the other characters don't interact with their relationship is that you want the interaction to be different (which is valid, I disagree but everyone has their taste in shipping and fiction in general), but trying to say that they keep their relationship far removed from the others is not really true is it?
#i promise not to go on a rabbit hole again#i was looking for a special analysis of Imogen that i read before and disagreed with and ended up with three posts complaining about shit#which is not my normal at all so *sigh*#i'm going back to enjoying fandom now thanks#text#i don't even know if i should tag this tbh#🫣🫣#imodna#this one is probably safe#i just like being able to find things later#my last negative post three is too much for me#left in my drafts to think it over but let's post it#(as you can see i'm very conflict avoidant lmao)
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Could've left me just the way you found me, but you came and put your wings around me. You went out of your way, to fix what you didn't break.
This song is so incredibly Sam & Darlin' coded and no one can tell me otherwise.
[lots of lyrical analysis below the cut] [there's also a short little fanfic blurb of them stargazing down there too (this post got really out of hand lmao)]
For those not fully caught up, note that the following commentary contains various spoilers for Sam and Darlin's stories.
Note: Unfortunately this song is gendered, using the word 'girl' several times. Which sucks a little bit for immersion purposes, not only for keeping Darlin' gender-neutral, but also because I see this song as a duet between them, and Darlin' obviously wouldn't be addressing Sam with the word 'girl' either. So! As with most songs on their playlist, we're just gonna mentally omit any gendered terms we come across.
Side note: Frustratingly, this is one of those songs that didn't really even need to gender the subject in the first place. No part of the story or message is lost without it. But alas, many songs are like that, and so the playlist-makers of the world shall continue to suffer. [/lh]
Anyways, preamble's over. It's lyric time now yay!
Sam's Part
I was a ten-year train wreck
Technically for Sam I suppose it was 13 years, but ten is close enough (and 'ten' admittedly flows a lot better in the rhythm of the song than 'thirteen' would.) Anyways, we're not here to split hairs, (I have to remind myself), we're just here to point out similarities.
In Sam's Dec. '22 HBW, he says "For the last 13 years or so I haven't had to care too much about how I look. Seemed a little redundant after turnin', considerin' I didn't wanna be around much'a anybody anyway."
I think he's mentioned or alluded to that roughly 13 year period of time more than once, but that's the one I remember best so it's the example I'm using. There's still about 4 Sam audios I've yet to listen to as of making this post, so if I'm missing some Key Lore I'll edit this later. But for now, I don't think Sam has given many specifics on exactly how bad things got during that time. Luckily, 'train wreck' is a pretty broad and subjective term, so it easily covers any degree to which he may have fallen apart during those years.
It also feels like a very 'him' way of quickly brushing over the details of his past/his hurt, as he seems to tend to do with Darlin', (not all the time ofc but it's still something I've noticed) putting his own hurt on the backburner to prioritize and attend to theirs. Even outside of his dynamic with them, I think as a healer, it's something he learned to do. And now he does it with everyone. Put on a brave face, compartmentalize things and unpack them later, etc. I could go on and on but there'll be time for that in other posts I'm sure. For now, lets get back to the song at hand.
With a last-call longneck
Due to personal reasons, I've yet to decide if I want to HC him as having used alcohol as a coping mechanism during that time. I don't recall him having mentioned alcohol much, if at all, (maybe one mention of whiskey that I don't have time to find right now) so I don't think it's necessarily canon that he did, but it's certainly possible. My personal preferences aside, I'll admit it makes for some good additional angst. (And- self-indulgently- it makes some other songs on my playlist for them more fitting.) So, for the sake of this song, let's imagine that he did.
I was searchin', I'd been hurt real bad
This one feels pretty self-explanatory given what Alexis did, (and, if you wanna get even angstier with it, whatever his family did earlier on in his life) so there isn't much commentary to add on my end.
I HC that in spite of 'not wanting to be around anybody', he- like Darlin- still had a tiny part of himself buried deep down that was, in a way, 'searching' for someone to find solace in. (No this isn't me projecting onto them both haha what are you talking about-)
Movin' on, gettin' sidetracked One step forward and five back
This is generally applicable enough that I don't feel the need to give too much of a specific example. Anyone who's recovered or is recovering from trauma knows this non-linear, back-and-forth struggle well already, and I'm sure he was no stranger to it.
If I were to give some examples though, I could point to Darlin's (and subsequently, Sam's) encounter with Alexis at the summit, or the shit that Quinn dredged up about Fredrick and threw at Sam in the interrogation room. Those are both more recent examples and I imagine these lines of the song to be coming from a place of him prior to meeting Darlin', but still, they're some instances where I'm sure he felt like the past was pulling him back in. I'm sure that there's been many throughout those 13 years that we were never witness to.
Not your fault, I was scared to fall
This line reminds me of their 'Cuddles and Confessions' audio. I don't think he ever explicitly said he was 'scared' per se, so afaik there's no specific line I can quote, but in that and every audio prior, he was obviously hesitant to admit, perhaps even to himself, that he was gradually falling for them. Even after the initial confession, there's certain limits of his (e.g. biting) that he carries for far longer, and some that I (and others) HC that he'll carry forever. So this line feels to me like him reassuring Darlin' that his reluctance isn't the fault of them, but his past.
Darlin's Part
You were the star in the pitch black Shine the way on the way back
We don't have any canon instances of them comparing Sam to a star, but I can see it being something they'd say (perhaps less poetically, but the sentiment would be there) one night while laying up on their roof watching the stars with him. Maybe they're dead-tired, talking nonsense with lidded eyes at the end of a long day, fighting sleep in favor of more time spent with him.
"What- what're you pointin' at Darlin'?"
Their hazy focus is trained on the brightest star visible in their line of sight, arm stretched out to the sky above them. "That really bright one, to the... to the left."
Sam does his best to follow their less-than-specific directions of 'to the left', their pointed finger doing little to help given the difference in perspective. Luckily, after all these years, he knows this stretch of night sky like the back of his hand, so it isn't hard to locate the brightest one. Ghosting his fingers up along their arm, he takes their hand in his and brings it back down to earth. "Okay, yeah, I see it now. What about it though?"
"That's you." They say, matter-of-factly.
"That's me?" He questions, humor in his tone.
"Mhm." They nod with finality, blinking slow.
Sam considers the odd statement for a moment before gently correcting them. "I'm uh, I'm pretty sure that's Sirius, actually."
They scoff. "I am being serious."
Sam stifles a laugh into their hair. "No- no I mean- like... what's another name for it... Oh! It's also called the Dog Star."
"C'mon Sam, at least call it the Wolf Star if you're trying to turn this around on me..."
He shakes his head and readies himself to explain further, but they cut him off before he can start. "But no- no, this one isn't about me. That's you."
He decides to play along, finding something endearing in their overtired nonsense. "Okay... then would'ja be so kind as to explain to this confused old man just how, or why that star is me?"
Their frown is audible in their voice as they latch onto the wrong part of his sentence. "You're not old, Sam. ...Do I need to tell Asher to kick the jokes down a notch?"
He smiles at their over-protectivity. "There'll be no need for that, now. Was just a joke, darlin', I promise."
They huff, but thankfully shift focus back to the prior topic. "It's... I dunno. It's just you, Sam. It's... bright. Light. Something warm, out there in the cold dark. Standing out amongst all the rest. Calling to me, stealing my attention. I... I didn't come out here looking for it, but there it is. ...There you were. In the dark. The only bright thing I'd seen in... fuck, in years. Years of chasing fleeting warmth, tripping over myself in the pitch black, falling into... places 'n people I shouldn't have. You were the light in that darkness. Even there, surrounded by the ghost of him. You outshone it. Your warmth didn't hurt. I didn't have to squint when I looked at you. You weren't the blinding sun. You were the brightest star I'd ever seen. You guided me back home."
In the back of their mind, they recall something they once heard, something about light, and time, and distance. Space. Something about... how you can see a star that's already burnt out, because it's light hasn't reached earth yet. The ghost of a star that's already died. Only still perceptible thanks to time, and distance.
They remember Sam's words, once whispered to them on this very roof.
"Whatever your choice is... I'm not gonna live forever. I made that decision a long time ago."
They think about dead stars.
They think about time.
"...-lin'? Darlin'?" Sam's calloused hand slides up their forearm, pulling them out of their thoughts. "There you are. Think I lost ya' for a minute there... you good?"
They look up at Sam, concern creasing his features, shadows cast across his face from the light of the dying stars above him.
They reach out, pulling him down into them. Burying their face into his collar, Sam's concern grows when he feels it saturate with tears. A human might struggle to hear their words, muffled against the thick fabric, but his hearing catches it just fine.
"Don't burn out too quick. Please. I still need you here. I don't- I don't wanna be left in the dark again. Please, please Sam. Don't leave me here. I'm not selfish enough to ask you for forever, but please. Not yet. Not yet. Not yet."
.......Whoopsies! Really, genuinely didn't mean to improv an entire scene there, good god. Also didn't mean to swerve hard into angst at the end but uh. that's what came out! so I'm rolling with it lmao. Aaanyways let's move on, it's getting late and this is a song analysis post, not a fic.
Out of nowhere, answered all my prayers
'Out of nowhere' reminds me of Sam's words from the same HBW video I referenced earlier. "You came into my life like a damn wreckin' ball. There was no preparing for that, clothing or otherwise." While those were Sam's words, not Darlin's, I still feel like they feel similarly to how suddenly Sam came into their life as well. (Not in a bad way, mind you!)
[the significance of 'answered all my prayers' edges into my own personal more headcanon-y/personal/OC-ified Darlin' territory, so we can just gloss over this one for the sake of at least attempting to keep this more universally applicable]
Picked up the towel that I threw in Took in a heart that was ruined
Again, largely self-explanatory I feel. (*proceeds to explain anyways*) I imagine that Darlin' was at the point of throwing in the towel, hellbent on a solo-mission to find Quinn regardless of the danger it posed to them. I doubt they were looking toward the future anymore, (to reference Sam,) fully willing to throw themself at their problems until they really did break.
The specific use of 'ruined' hits hard here, because after everything they went through with Quinn, and especially after he recounted it all to Sam in that interrogation room, I imagine that they really, truly did feel ruined.
Showed me the past ain't a tattoo Loved me even when you didn't have to
These lines in particular make me sick with emotion every time I hear this song, because I feel like they hit the nail on the head for how Darlin' feels.
I'll be here citing various quotes all night that I feel showcase that sentiment, but we don't have time for that! So instead I'm just pointing to the entirety of 'Quinn's Aftermath' video, and leaving you with this single quote from it.
"Everything that he said reflects nothin' on you, and everything on him."
Equally Applicable Lines
And I don't know why Why you saw something in me, baby But you saw right through All the pain, and you came and saved me Yeah, I know you didn't leave me lonely Weren't the one that put the heartbreak on me Picked up the pieces It wasn't the mess that you made Could've left me just the way you found me But you came and put your wings around me You went out of your way To fix what you didn't break
Again, I think these lines are all pretty self-explanatory, and are just as accurate coming from either one of them. To me, at least, their entire dynamic is that they saved each other, in their own ways.
(But I will admit, the final verses about 'going out of your way to fix what you didn't break' are definitely conjuring up memories of Sam in the early days, literally going out of his way to visit and heal Darlin' after their fight with the two vamps. In general, his continued/repeated healing of them after they once again hurt themselves is the very literal definition of fixing what he didn't break.
But! While we may have more blatant examples of Sam being 'the fixer' so to speak, I think he'd argue that Darlin' has done plenty fixing of their own. Physical wounds aren't the only things that need healing, after all.)
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[shameless self-promo of my Sam & Darlin' playlist for those few of u interested enough to make it to the very end of this wall of text. if u liked this then u might like some of the other songs on there soooo maybe go check it out and maybe perhaps give it a follow so i can get a little serotonin boost or dopamine or whatever the chemical is that's released when Number Go Up. ...okay that's it i hope u enjoyed my fixation-induced ramblings! thank u and goodnight]
#redacted audio#redacted sam#redacted darlin#redacted playlists#redacted asmr#redactedverse#music stuff#Spotify#Seven's Blorbo Songs#<- starting a dedicated tag for these kinda posts bc i feel like there will be. Many more#gotta go dig up the few i've made in the past and retroactively tag them. they weren't as Involved as this one but i'll still include 'em#good fucking god this post got long. i started it at like 2pm and now it's almost 8. i've been locked in on blorbo analysis for 6 hours#don't ask why it took That long to make this post okay i am. very slow. but i had a good time so it's all good#there's like 10 other things i needed to spend my free time on today but this post Demanded to be made asap so here we are#i've been stewing on this song for several days since i found it and i literally had to make this post to get it out of my system#i was gonna make One Big Post to discuss the entire playlist at once but it's got 80+ songs on it by now...#and i like to Yap if u cannot tell so it literally wouldn't even all Fit in a single post. so i'll probably just do individual songs#or maybe a few per post if they all fit a certain theme and aren't enough to justify their own post#anyways i. am so very very very in love with Sam. if you. cannot tell. from the entirety of this post. and the state of my blog#about halfway thru this post i realized i perhaps should've just written a songfic but those take so much more effort and time#and i'm already editing two that'll come out later this month. with two more in the wings. so i can't afford to start another#(not Redacted fics btw sorry but in spite of the little drabble i did on this post i'm actually scared to write for this fandom)#i don't feel confident enough not to mischaracterize them. plus i'm already juggling more than i can handle anyways#anyways the drabble + this post in general probably isn't very good lmao i Should like. draft it and edit it tomorrow with fresh eyes#but i wanna go ahead and send it out into the world and just let it be. it's not that big of a deal
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Hear me out. Brad and Janet, and Tom and Shiv— two failmarriages who may have more in common than you’d think:
inversion / parody of gender roles hetero romance
they are trying SOOOOOOO hard to be a normal married couple and it is just Not Working Out
very very hot sex symbol girlboss woman obsessed with another more powerful guy (Logan, Frank) and extremely unreliable but sometimes present sense of self-awareness and craves independence
dorky asshole malewife bottom trying desperately not to be a malewife as hard as he can for the entire media but yet the malewife genes overcome his efforts valiantly again and again and aGAIN
they cheat on each other a bunch of times (but they don't mean it guyssss 😩)
YES. they cheat on each other. BUT it's made known to the audience that they feel really bad abt it Imao
a premature WEIRD proposal done in a close-proximity-to-death situation yet they’re still like “okay 😊!” like would you rather I propose to you in the hospital while your dad is in intensive care from his brain hemorrhage OR in a graveyard after another person’s wedding while a funeral goes on right next to us featuring a suspiciously child-sized casket? romance central am I right
dedicated loving relationship struggling to survive in a crazy environment that is directly corrosive to dedicated loving relationships
horrible communication where the lack of communication in their marriage is kind of essential to the plot in and of itself
a threesome kinda happens in canon (more an orgy. this is abt rhps obviously) vs they almost had a threesome and then didnt... basically a threesome could've fixed all of them
"yes I cheated on you. Yes I still love you and would protect you as best I can in a traumatizing situation where a key extremely complex and kinda shitty person we both kinda love dies in front of us. We exist."
protection motif is a huge thing for both of them and in the end it's pretty clear that delusion is really what's actually been protecting them
most importantly: getting into marriage and being like "wow bitch!!! you are not who I thought you were"
they both end up in this really subjective completely destroyed irrevocably changed and entirely mortifyingly known position in their relationship like "who knows if we even love each other anymore"
"lol we both betrayed the other's trust beyond repair. does the love matter anymore lol Imao"
way too many people rightfully think there's no way to work their issues out but I am so delusional I don't give a shit <3
married couple that gets pitted against each other and have all these reasons to hate each other but you can tell that all of the love can’t be gone and like the evolution somehow emphasizes the love that was there before = PEAK ROMANCE. TO ME
#here it is. nobody asked for#joint Brad and Janet AND Tomshiv analysis that I wrote bc of the Brainworms#I’ve connected the dots meme dot jpg#I gotta write this crossover fic my delusions are asking me to so baddd#Nick and Amy dunne check some of these boxes too but that’s a whole OTHER can of worms#Rocky horror picture show#rhps#rhps analysis#rhps meta#are those tags a thing idk#succession analysis#that one def is bc I use it like a drug lmao#bbge.text#autistic pattern recognition#it’s a helluva drug#failmarriage#inspired by me stealing songs for my Tomshiv playlist for my new Brad and Janet one bc mentall illlionis. you can see where this is going#unfollow now this is a warning /lh#Rocky horror#Tom is so ‘once a while’ coded btw#succession
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not me suddenly not being into sbg as I was the second I made this blog 🧍
#Sorry to my like 3 followers here lmao#Ik it’s not reds fault for the recent hiatuses but the January one was the thing that made me really lose interest#Then it sprung up again in August for some reason#And now we’re here 🤷#I still read it weekly but like I have no analysis all I can do is scroll the tag and rb posts#I should get discord that’s where everything’s happening lmao#//🌻
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i wwish i can be assed to do analysis unprompted but unfortunately i can only do that when asked or while watching a stream/video or while commentating on someone elses analysis/essay
#mine.txt#whenever i make an analysis or essay post after a steam its usually cause i was thinking it during a stream/vid but was too invested to pos#so yeah now whenever i wanna read a particular analysis of mine theres a 50% chance i didnt tag it as analysis#cause i was just reacting to stuff happening in front of me at the time and therefore didnt think of tagging it#despite the fact that theyre objectively analysis even if i was just trying to find a logical explanation for whatevers happening#im a bit better with ls in this regard but 90% of my uu analysis is hidden in tags of liveblogs </3#theres also a small chance i didnt do an analysis at all and was just keeping it in my head lmao#like at least 70% of all my observations i havent at all made public tbh#(and like 10-30% of those observations is just me noting down brief moments of casual bigotry tbh lmao#so theyre not really worth it to post imo)
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just realized there's probably a lot of new people in sunnyblr so im gonna shill again the sunny spec script I wrote in 2020 in 2 days
#iasip#it's always sunny in philadelphia#always sunny#macdennis#macden#this script got me the email of bryan swamberg because i tagged him and he said he'd be happy to read it but legally can't unless i sign a-#document. and i wouldve signed it. but he never sent it to me after i contacted him. choosing to believe its bc i predicted their twist#if you read this script i ENCOURAGE YOU to look too deep into it#i am telling you right now it's all intended to be meta. every single line#i feel like this still holds up tbh tho Some small details dont feel as relevant now with s15 out. just a couple tho#please dont be shy to give feedback i live for it and to this day i feel like noone dissected ALL the things i put in. and many ppl read it#i love analysis and meta 💔#also it has my old twt handle in there lmao#this script almost reached rcg 💔 bryan u never got back to me..... heartbreaking#it's ok i dont wanna work in script writing anyway i just wanted crew to read it lol
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Ppl will literally bend over backwards arguing that Luz’s themes reflect Evelyn/Caleb, characters never truly seen on screen, completely ignoring the fact her themes are parallel to Belos, a person who so desperately wants to be the hero of the story that he becomes the villain. Luz’s character accepts the lessons Belos refused. She was able to separate her wants and fantasies from reality despite being in her ideal fantasy world, despite learning magic, despite wanting to be a “chosen one” and simply doing what was right because what was right needed to be done.
Evelyn wasn’t meant to “save” Caleb, Philip was, but he was so stuck in his ways, he couldn’t accept his brother for who he was and killed him to “correct the plot” of the story Philip had created for them, forcing Caleb to haunt the narrative the. whole. time. (which was done so well with the time we had idc wht ppl say)
But Luz was able to accept the lessons offered to her and Belos and as a result “Caleb” and the order between the two realms are finally “at rest.”
Luz is what Philip could have been!!!! With the choices she makes, there’s no one left to haunt the narrative. The story’s over. She wasn’t a “chosen one” like she wanted, she was just there when she needed to be, and she did what she felt was right. Her actions were selfless not selfish, like Belos
If Evelyn needs a character she thematically pairs with, lmao she’s literally Flapjack. Flapjack is the ones who really places the wedge between Hunter and Belos, just like Evelyn places the wedge between Caleb and Philip. So, when Belos crushes Flapjack, he says goodbye to Evelyn. What’s amazing though about Flapjack’s death, is this time “Evelyn” (who in the pictures fights Philip) is actually able to save “Caleb’s” life, finally completing the end of her story.
We don’t need to see the Wittebane-Clawthorne story (even if it’d be amazing), because Luz (Philip), Hunter (Caleb), and Flapjack (Evelyn) complete it. The old trio “failed” but the new trio succeeds.
And honestly because the old trio “failed”, seeing their story in pieces and not getting the complete flashback, is such a good move because history favors the victors, so Belos version being the only version is 👌👌👌👌👌👌
But people stuck solely on shipping keep ignoring The Point. The story was so good why is everyone being mean about it 😭😭
#the owl house#toh meta#does this make sense!?!#shipping ruins everything#me going into the tags: boy can’t wait for meta analysis#the tags: TOH is still heteronormative even tho Hunter’s bi now#me: okay#edit lmao I spelt Philip wrong 😂😂#fixed it my bad
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i also think about megs' fuckngi. 'i was 8 days old & still living with my parents. how sad is that? clearly it was time to move on' & it's like. fuck man, it's just so sad. he clearly knows tht the whole thing is messed up but atp vulnerability is Difficult to say the least so he just jokes about it, referring to it as a 'standard childhood' and a 'literally broken home' like the dude is using humour to cope REAL hard rn
that being said: i think even after the movie's events, it's not a subject he really delves into. or if he ever does, he still takes on tht kinda joke-y tone to soften the blow. even opening up about the bullying he endured probably took a lot but admitting that he lost his entire planet is like. u gotta unlock like 6 tiers of trauma for that first /SILLY
#MEGAMIND. / META.#MEGAMIND. / HEADCANONS.#( apologies in advance for all the future analysis im prolly abt to do; ive had these thoughts rotating in my head for days now#& now feel justified in posting them now tht ive actually taken up the muse lmaO )#ask to tag //
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i refuse to believe mxtx has not listened to at least one or both of the songs 'viva la vida' by coldplay, and 'pompeii' by bastille. i refuse
#this isn't even me like vaguely connecting lyrics to characters like i love to do (see 'third eye' and 'third eye (demo)' for hua cheng)#like istg i could make a full analysis post about how these two songs (especially the latter)#relate to xie lian and bai wuxiang respectively#i could do it right now#and NO this post was not brought about by my ardent desire to have an actually GOOD mash-up of those two songs#that combines elements of both while keeping a fair balance between both songs.#like come on PLEASE i *need* to listen to a mash-up where the person doing it confidently puts together the respective bridges#it CAN be done and if you do everything else at least semi-well and it sounds smooth then you WILL have created a masterpiece#i would do it myself but i have neither the means nor ability#anyway. didn't mean to ramble off on that tangent.#jk i totally did lmaoooo#this post is about tgcf btw. if you didn't pick up on that. lmao#tgcf#tian guan ci fu#xie lian#bai wuxiang#this post is so vague i feel bad tagging anyone else lmao#hob#heaven official's blessing
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